“Humor, Entertainment, and Popular Culture During World War I,” co-edited by Clémentine Tholas and Karen A. Ritzenhoff

@ASoulAFire @JaniceOCG “Humor, Entertainment, and Popular Culture…” is one of many books co-edited by @Ritzenhoffk @TWNtalk is honored she will join us for the 10/14 sneak peek of IAF. Maybe she’ll brings some laughs! 🙂

Two Parties Agree on Competition with China: “The Bill that United the Senate”

@ASoulAFire @JaniceOCG @handmaidstale__ We need unity like this to avoid #TheComingTyranny. @mikiebarb & @SangerNYT of @TheDailyNYT @nytimes walk us thru a united time in the Senate over competition w/China.

In These Times “Takeover” Issue is Visually Stunning

@ASoulAFire @JaniceOCG @ForThePeopleChi This beautiful artwork “Deeply Rooted” by #NaimahThomas, is made available to the public. That, to me, is the real meaning of art from a spirit who truly seeks to move Black Lives. Thank you Naimah Thomas and @inthesetimesmag for this art and for this stunningly beautiful issue. #M4BL

“Selling Sex on Screen: From Weimar Cinema to Zombie Porn,” co-edited by Karen A. Ritzenhoff and Catriona McAvoy

@ASoulAFire @JaniceOCG “Selling Sex on Screen” was co-edited by @Ritzenhoffk, the first guest scholar to appear on the 10/14 sneak peek of IAF.

“The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World,” co-edited by Karen A. Ritzenhoff and Angela Krewani

@ASoulAFire @JaniceOCG This is one of the books @Ritzenhoffk co-edited – “The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World.”